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George Lucas Reflects on Letting Go of Star Wars and Building His Legacy Beyond the Galaxy
George Lucas discusses moving on from Star Wars, sharing how he’s embraced new challenges like his Lucas Museum of Narrative Art and accepted Disney’s vision for the iconic saga.
George Lucas, the visionary behind Star Wars, recently opened up in a candid interview with the Wall Street Journal about moving on from the franchise that defined modern cinema. While the conversation centered around his upcoming Lucas Museum of Narrative Art in Los Angeles, it inevitably turned to his relationship with Star Wars — and how he feels about Disney’s stewardship of the galaxy he created.
George Lucas on Moving Beyond Star Wars
When asked if he has finally “let go” of the franchise, Lucas didn’t hesitate to acknowledge the shift.
“Disney took it over and they gave it their vision. That’s what happens. Of course, I’ve moved past it. I mean, I’ve got a life. I’m building a museum. A museum is harder than making movies.”
His words reflect both acceptance and a touch of relief — an acknowledgment that the story he began nearly five decades ago now belongs to another generation of filmmakers.

The Disney Era and Lucasfilm’s Transformation
On October 30, 2012, Disney acquired Lucasfilm for $4.05 billion, gaining ownership of the Star Wars and Indiana Jones franchises, as well as the groundbreaking effects company Industrial Light & Magic (ILM).
Under Disney, Star Wars entered a new era with films like The Force Awakens, The Last Jedi, and The Rise of Skywalker, as well as successful series such as The Mandalorian and Andor.
While many projects achieved commercial success, critics and fans have debated whether the newer works captured the same innovative spirit as Lucas’s original trilogy. Lucas’s comments suggest that while he remains proud of what he created, he’s at peace with Disney’s creative direction — even if it differs from his own.
The Lasting Impact of Star Wars
Few franchises have reshaped Hollywood as profoundly as Star Wars. Lucas’s creation pioneered visual effects, introduced the concept of blockbuster filmmaking, and demonstrated the financial power of merchandising and brand storytelling.
The original trilogy not only set a new benchmark for science fiction but also changed how studios approached franchise-building, serialized storytelling, and cinematic universes.
The Lucas Museum of Narrative Art
Now, Lucas’s focus lies elsewhere. The Lucas Museum of Narrative Art, scheduled to open soon in Los Angeles, is designed to celebrate storytelling in all its forms — from painting and photography to film, comics, and digital art.
Lucas describes the museum as “harder than making movies”, hinting at the scale and ambition of the project. For him, it represents a new chapter — one that still honors the power of narrative but through a broader, more inclusive lens.

A New Legacy
Even as he steps away from the galaxy far, far away, George Lucas continues to shape how stories are told and preserved. His impact extends beyond Star Wars — from pioneering film technology to mentoring generations of creators.
For fans, it’s bittersweet to see the man who gave us Luke Skywalker, Darth Vader, and the Force truly move on. But for Lucas, it’s a continuation of what he’s always done best: building worlds where storytelling, art, and imagination converge.
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Sabrina Carpenter Brings Her Vision to Universal’s ‘Alice in Wonderland’ Musical
Sabrina Carpenter will star in and produce Universal’s new musical adaptation of Alice in Wonderland, directed by Lorene Scafaria and produced by Marc Platt.
Pop sensation and rising Hollywood actress Sabrina Carpenter is ready to bring a new kind of Wonderland to the big screen. The multi-talented artist will both star in and produce Universal Pictures’ musical adaptation of Alice in Wonderland. The project combines her creativity, musical instincts, and storytelling vision with one of the most beloved fantasy worlds in literature. It will also mark a major career milestone, showing that Carpenter is expanding her influence far beyond the music industry.
The film is directed and written by Lorene Scafaria, known for Hustlers, and produced by Marc Platt, who previously brought La La Land and Wicked to theaters. They are joined by Leslie Morgenstein and Elysa Koplovitz Dutton from Alloy Entertainment, the company behind Gossip Girl and Pretty Little Liars. At Universal, Ryan Jones and Jacqueline Garell are supervising development, while Katie McNicol manages the project for Marc Platt Productions. Together they are building one of Universal’s most anticipated musical projects in years.
A Modern Musical Reimagining of Wonderland

This version of Alice in Wonderland is not a traditional retelling. It is described as a modern reinterpretation of Lewis Carroll’s story with a musical structure that reflects Carpenter’s pop sensibility and Lorene Scafaria’s character-driven writing style. According to reports, the idea for the film began with Carpenter herself. About a year ago, she presented Universal with a detailed lookbook and concept materials showing how she wanted to reimagine Wonderland. Her pitch focused on creating a visually striking and emotionally grounded world that audiences could connect with, and Universal immediately saw the potential.
Carpenter’s involvement goes well beyond her performance. She is actively shaping the tone, visual identity, and musical direction of the film. Her background as a songwriter gives her a unique perspective on how to blend story and song in a way that feels natural. Given her recent hits such as Espresso and Feather, fans are already speculating that the soundtrack will feature original songs with her signature style. This approach could make the film one of the most distinctive modern musicals in years.
From Pop Star to Producer
Sabrina Carpenter’s rise has been one of the most impressive in recent pop culture history. After her breakout success on television and a string of hit singles, she has evolved into a performer with genuine creative control over her projects. Joining Alice in Wonderland as both star and producer allows her to merge her experience as a musician with her passion for storytelling. Universal Pictures has been increasingly supportive of artists who want to expand their roles, and Carpenter is the perfect example of this new generation of talent.
Her decision to take on production responsibilities shows that she is not only an entertainer but also a strategist who understands the business of creativity. This move aligns her with other young artists who have stepped behind the camera to shape projects from the ground up. It also demonstrates that she is ready to take ownership of her artistic image in Hollywood.
Why Fans Are Excited About the New ‘Alice in Wonderland’

The announcement of this film has generated major excitement among both movie and music fans. Universal’s Alice in Wonderland musical aims to balance fantasy spectacle with relatable emotion. Insiders describe the tone as imaginative but grounded, with an emphasis on Alice’s personal journey and growth. The story will likely highlight themes of identity, freedom, and curiosity, while exploring how imagination can empower rather than isolate.
Lorene Scafaria’s direction promises depth and humor, while Marc Platt’s production experience ensures high-end musical numbers and striking visuals. Together with Carpenter’s creative energy, the film could appeal to both fans of classic musicals and younger audiences who follow her music career. This combination of modern pop sound, cinematic storytelling, and emotional resonance gives the project enormous potential.
What to Expect from Sabrina Carpenter’s Wonderland
Although official plot details remain secret, early descriptions suggest the story will follow Alice as she rediscovers herself through music and adventure. The world of Wonderland will be filled with new characters and visual surprises inspired by both Carroll’s imagination and contemporary art. The production design is expected to blend classic fantasy elements with bold modern style, creating a setting that reflects the balance between innocence and ambition.
Carpenter’s fans can also expect the soundtrack to be a centerpiece of the film. With her proven ability to craft memorable melodies and lyrics, her involvement ensures that the songs will be more than just background music. They will drive the narrative and emotional moments, turning Wonderland into a place where music and magic coexist.
The Future of Sabrina Carpenter on Screen
This project comes at the height of Sabrina Carpenter’s success as both a pop artist and a performer. Her recent achievements, from sold-out tours to global chart dominance, have shown that she has the star power and work ethic to handle large-scale productions. Now, by partnering with Universal and industry veterans like Scafaria and Platt, she is ready to cement her position as one of the most influential young creatives in Hollywood.
If all goes as planned, Universal’s Alice in Wonderland musical could redefine how audiences experience this classic story. It will not only showcase Carpenter’s talent as an actress but also highlight her vision as a storyteller who understands what today’s audiences want to see and hear. The result could be one of the most talked-about musical films of 2026, a vibrant blend of pop energy, cinematic style, and emotional storytelling that captures the spirit of both the artist and the legend of Wonderland.
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Sadie Sink Joins the MCU: First Look at Spider-Man: Brand New Day Set Photos
Sadie Sink has officially joined the Marvel Cinematic Universe. New set photos from Spider-Man: Brand New Day reveal her first appearance alongside Tom Holland and Zendaya.
Marvel fans just got their first real glimpse of Sadie Sink on the set of Spider-Man: Brand New Day, the upcoming fourth Spider-Man movie in the Marvel Cinematic Universe. The sighting marks Sink’s official entry into the MCU, and excitement is already skyrocketing as speculation builds about who she might be playing.
Filming and Production Details
Spider-Man: Brand New Day is directed by Destin Daniel Cretton (Shang-Chi and the Legend of the Ten Rings) and written by Chris McKenna and Erik Sommers, who previously worked on Homecoming, Far From Home, and No Way Home.
Filming officially began on August 3, 2025, in Glasgow, Scotland, operating under the working title “Blue Oasis.” The city’s Merchant City and George Square districts were transformed into a bustling New York City, complete with yellow cabs and fake storefronts.
The film’s cinematographer, Brett Pawlak, reunites with Cretton after Shang-Chi, while the Jackie Chan Stunt Team is once again behind the fight choreography — a promising sign that the action will be intense and practical.

Cast and Returning Faces
Tom Holland reprises his role as Peter Parker, joined by Zendaya (MJ), Jacob Batalon (Ned), Jon Bernthal (The Punisher), Mark Ruffalo (Bruce Banner), Michael Mando (Mac Gargan), and Marvin Jones III, who has been confirmed to play Lonnie Lincoln, better known as Tombstone.
Sadie Sink’s character has not yet been revealed, but fans are already theorizing possible roles — from Gwen Stacy to a new original character tied to the multiverse.
Newcomers Tramell Tillman, Alex Breaux, and Nell Fisher also join the cast, alongside returning MCU figures, hinting that Brand New Day may tie into the larger Phase Six storyline.

Possible Villains: Mister Negative and Rhino?
Set photos have given fans a few major clues about the movie’s villains. Vehicles marked with a red demon logo were spotted on set, leading Total Film’s Bradley Russell to speculate that Mister Negative could make his MCU debut.
Meanwhile, an enormous rhinoceros-shaped prop was seen on location, suggesting Rhino might return in some form — potentially as a reimagined version of the villain teased in The Amazing Spider-Man 2.

Tom Holland’s On-Set Injury and Filming Locations
Filming also took place in Surrey’s Brookwood Cemetery and Pinewood Studios in Buckinghamshire. Later in September, production briefly paused when Tom Holland suffered a mild concussion performing a stunt. He recovered quickly, and the schedule remained on track.
Additional scenes were filmed in Basingstoke, England, where Holland was joined by Michael Mando, confirming Mac Gargan’s return to the Spider-Man universe.

Why Fans Are Excited About Sadie Sink’s MCU Debut
Sadie Sink, best known for her role as Max Mayfield in Stranger Things, has built a reputation for powerful and emotional performances. Her casting in Spider-Man: Brand New Day signals Marvel’s commitment to bringing fresh talent into the fold.
While her role remains under wraps, her first on-set appearance — alongside Holland and what appears to be a Demogorgon-style villain tease in the concept art — has already set the internet ablaze.

The Future of Spider-Man: Brand New Day
Spider-Man: Brand New Day will be the 38th film in the Marvel Cinematic Universe, serving as both a direct sequel to No Way Home and a launchpad for new Phase Six storylines.
With Cretton’s direction, Sink’s addition, and early hints of multiple villains, this could be the most ambitious Spider-Man entry yet, blending high-stakes storytelling with grounded character drama.
As filming continues across the UK, fans are eagerly awaiting Marvel’s official synopsis — and, most importantly, the reveal of who Sadie Sink will play when she officially swings into theaters.

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Netflix Introduces “Last Chance to Watch” Feature to Help Users Track Expiring Titles
Netflix launches a new “Last Chance to Watch” feature that groups all shows and movies leaving the platform, making it easier for users to catch titles before they disappear.
Netflix has unveiled a new feature designed to make it easier for users to track which titles are leaving the platform. The “Last Chance to Watch” category gathers all movies and shows set to expire soon, simplifying one of the biggest frustrations for subscribers — losing access to content without warning.
What Is Netflix’s “Last Chance to Watch” Feature?
The new section appears alongside Netflix’s ongoing user interface overhaul, which is now rolling out across TVs, smartphones, tablets, and web browsers. The “Last Chance to Watch” row can be found within Netflix’s category system, which includes thousands of curated sections powered by internal “secret codes.”
This new category carries the code 82120713, and users can access it directly via link or through search. It’s optimized for web use but can also function on other devices to a lesser extent.
How It Works
When browsing through the category, users will see all titles that are scheduled to leave Netflix in the coming weeks. This marks the first time Netflix has officially grouped expiring content in one place, rather than scattering information across individual title pages or monthly press releases.
By default, the list displays subcategories, but users can switch to A–Z view using the menu in the top-right corner. However, Netflix still doesn’t offer a way to sort by expiration date, meaning users will need to click into each title to confirm when it leaves the platform.

Limitations and Early Feedback
While the addition is welcome, the feature isn’t perfect. Some titles — such as The Emoji Movie — appear in the list even though they aren’t expiring until mid-2026, while others are missing entirely. Netflix is reportedly still refining how the system identifies and displays removal dates.
Previously, Netflix added small “leaving soon” tags or listed expiring content in newsletters for the press. The new interface marks a shift toward giving users direct access to that information without needing third-party sites.
Part of a Larger Netflix Interface Update
The “Last Chance to Watch” feature is part of a broader UI refresh that Netflix began testing earlier this year. The redesign modernizes the layout with smoother navigation and larger visuals, though early user reactions have been mixed.
In another experiment, Netflix has also removed the “Netflix Original” label from select titles on its web interface — a move that sparked curiosity among subscribers and industry watchers alike.
Why It Matters for Viewers
With Netflix’s catalog constantly changing, this feature helps users catch expiring shows and movies before they’re gone. Although it still lacks advanced sorting and accuracy, “Last Chance to Watch” is a step in the right direction for improving transparency and user control.
As Netflix continues testing and refining the update, the feature could become a staple tool for subscribers looking to make the most of their watchlists before content cycles out.
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